I am a scholar of nineteenth-century literature with a particular focus on the history
of ideas. That is, I am particularly interested in the ways that science, technology,
literature, and the cultural imagination intersect, and the ways the anxieties, hopes,
and ideologies of a moment in time are captured by a period's "genre" fiction (Gothic,
horror, mystery/detective, and science fiction) - that is, the stories often most
looked down upon by scholars and critics, and yet those that are most avidly consumed
by the mass public. I particularly specialize in nineteenth-century science fiction,
and my first monograph, Science Fiction and the Modern World (forthcoming), makes the argument that the emergence of this genre reflects a foundational
recalibration of humanity's relationship to the natural world in the West.
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“Familiarizing the Future: The Diegetic Prototype of Netflix’s Away” Science Fiction Film and Television 15.1 (Spring 2022): 81-91.
“Science Fiction as Thought Experiment: The Case of Jules Verne’s Extraordinary Voyages” Configurations 29.3 (Summer 2021): 289-320.
“The Ontology of the Hologram: Gothic Tropes and the Ontological Transgressions of
Technoscience.” SFRA Review 50.4 (Fall 2020): 68-76.
“(In)human Perspectives.” Social Anthropology 28.2 (May 2020): 298-299.
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